GREENSKIN Warrior Traditions in Defence of Country

Abstract Greenskin: Warrior Traditions in Defence of Country will be a PhD by creative practice. I will produce a body of film work, together with an exegesis. My research practice is documentary filmmaking. I will be making critical-creative dialogue with traditions of ethnographic film and military propaganda. These filmmaking experiments will be shaped in response to Yolŋu modes of storytelling, which teaches us to allow room for different points of view, including Country as an authoritative voice in its own right.
My subject focuses on a special and yet largely untold moment in Australian social history. Adopting a hybrid observational-poetic mode of ethnographic filmmaking, the project will trace and re-map the journeys, adventures and clandestine activities of the miriŋu (Yolŋu warriors) from the once Northern Territory Special Reconnaissance Unit (NTSRU). Established in 1942, when Australia was under imminent threat of attack from the Japanese Imperial Army, the NTSRU was a special force of Yolŋu men trained by anthropologist Donald Thomson to defend the North Australian coastline. Led by Thomson and Rraywalla Mildjiŋi on behalf of the Australian Army, this unique force was organised along clan principles and guided by miriŋu tradition. Altogether, the NTSRU recruited 51 Yolŋu men organised according to clan structures. Their service was only made possible by conducting a culturally and historically significant ceremony (makarrata), which brought together previously warring groups to make peace with each other and defend the country as a unified group.
The aim of this creative research project is to research, record and reflect on previously undocumented dimensions of the history of NTSRU. Several interrelated media outputs will be produced to examine contemporary expressions of ‘warrior-hood’ through the lens of intercultural philosophy and poetic mode observational documentary. To date, nothing resembling this approach exists in the literature. The project will draw from and contribute to several broader interdisciplinary conversations in different modes (i.e. filmic and text-based) across film studies, anthropology, social history and Yolŋu studies. It will map a journey of exploration, creativity, discovery and storytelling surrounding these uniquely Australian stories. It will show the unbroken lineage and legacy from those events during the war to today’s representation of Defence activities along the northern coastlines of Australia from the perspective of both Yolŋu and Balanda project participants.