TY - JOUR
T1 - Aboriginal community-controlled art centres
T2 - Keeping Elders strong and connected. Articulating an ontologically situated, intergenerational model of care
AU - Mackell, Paulene
AU - Squires, Kathryn
AU - Cecil, Jessica
AU - Lindeman, Melissa
AU - Fraser, Scott
AU - Malay, Roslyn
AU - Meredith, Maree
AU - Young, Michelle
AU - Nargoodah, Lynley
AU - Cook, Belinda
AU - Schmidt, Chrischona
AU - Dow, Briony
AU - Batchelor, Frances
N1 - Funding Information:
The authors would like to acknowledge the many Countries throughout what is now known as Australia, on which we live and work. We pay our respects to the First Peoples of these Countries and to their ancestors and Elders past and present. In particular, we acknowledge the Ngaanyatjarra, Pitjantjatjara, Yankunytjatjara Countries and peoples of Tjanpi Desert Weavers, Pintupi-Luritja Countries and peoples of Ikuntji Artists, and Bunuba, Gooniyandi, Walmajarri, Wangkajunka and Nyikina Countries and peoples of Mangkaja Arts Resource Agency for their methodological and ethical leadership during this study. We also acknowledge and thank everyone involved in this study, including members of our Project, Advisory, and Methodology Fidelity Groups for their expertise and generosity. Open access publishing facilitated by Charles Darwin University, as part of the Wiley - Charles Darwin University agreement via the Council of Australian University Librarians.
Funding Information:
This study was funded with support from the Australian Government, via a Dementia and Aged Care Innovation Grant; the Dementia Australia Research Fund; and the AAG Research Trust.
Publisher Copyright:
© 2023 The Authors. Australasian Journal on Ageing published by John Wiley & Sons Australia, Ltd on behalf of AJA Inc.
PY - 2023/6
Y1 - 2023/6
N2 - Objective: To articulate how Aboriginal community-controlled art centres support the role of Elders and older people within an ontologically situated, intergenerational model of care. Methods: In this paper, we draw on stories (data) generated through interviews involving 75 people associated with three Aboriginal community-controlled art centres and field notes taken during a Participatory Action Research (PAR) study. The study was undertaken in collaboration with three community-controlled art centres and two aged care providers over almost 4 years, in diverse Indigenous sovereignties, all located in geographically remote Australian locations. Results: Engaging with decolonising and Indigenous theoretical frameworks, our analysis identified three interwoven meta-themes. These include connection to law and culture; purpose; and healing. Each theme had important subthemes, and all were central to upholding the well-being of older people and their families, as well as the art centre workforce, Country, and their broader communities. Conclusions: Our analysis articulates an ontologically situated model of care within Aboriginal community-controlled art centres. The model sees that older people receive care from art centres and provide care to each other, to younger generations, to art centre staff, to Country, and to their broader communities. In this model, those in receipt of care, many of whom are older people, art centre directors, and important artists, govern how care is conceptualised and delivered.
AB - Objective: To articulate how Aboriginal community-controlled art centres support the role of Elders and older people within an ontologically situated, intergenerational model of care. Methods: In this paper, we draw on stories (data) generated through interviews involving 75 people associated with three Aboriginal community-controlled art centres and field notes taken during a Participatory Action Research (PAR) study. The study was undertaken in collaboration with three community-controlled art centres and two aged care providers over almost 4 years, in diverse Indigenous sovereignties, all located in geographically remote Australian locations. Results: Engaging with decolonising and Indigenous theoretical frameworks, our analysis identified three interwoven meta-themes. These include connection to law and culture; purpose; and healing. Each theme had important subthemes, and all were central to upholding the well-being of older people and their families, as well as the art centre workforce, Country, and their broader communities. Conclusions: Our analysis articulates an ontologically situated model of care within Aboriginal community-controlled art centres. The model sees that older people receive care from art centres and provide care to each other, to younger generations, to art centre staff, to Country, and to their broader communities. In this model, those in receipt of care, many of whom are older people, art centre directors, and important artists, govern how care is conceptualised and delivered.
KW - Aboriginal and Torres Strait Islander Peoples
KW - art centres
KW - Australia
KW - decolonising
KW - First Nations
KW - Indigenous
KW - intergenerational
KW - model of care
KW - older people
KW - participatory action research
UR - http://www.scopus.com/inward/record.url?scp=85152256598&partnerID=8YFLogxK
U2 - 10.1111/ajag.13178
DO - 10.1111/ajag.13178
M3 - Article
AN - SCOPUS:85152256598
SN - 1440-6381
VL - 42
SP - 293
EP - 301
JO - Australasian Journal on Ageing
JF - Australasian Journal on Ageing
IS - 2
ER -