Abstract
Original language | English |
---|---|
Title of host publication | Collaborative Ethnomusicology |
Subtitle of host publication | New Approaches to Music Research between Indigenous and Non-Indigenous Australians |
Editors | Katelyn Barney |
Place of Publication | Melbourne, Vic |
Publisher | Lyrebird Press |
Chapter | 8 |
Pages | 115-128 |
Number of pages | 14 |
ISBN (Print) | 9780734037770 |
Publication status | Published - 2014 |
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Consensus and collaboration in the making of the National Recording Project for Indigenous Performance in Australia. / Corn, Aaron; Ford, Linda Mae.
Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians. ed. / Katelyn Barney. Melbourne, Vic : Lyrebird Press, 2014. p. 115-128.Research output: Chapter in Book/Report/Conference proceeding › Chapter › Research › peer-review
TY - CHAP
T1 - Consensus and collaboration in the making of the National Recording Project for Indigenous Performance in Australia
AU - Corn, Aaron
AU - Ford, Linda Mae
PY - 2014
Y1 - 2014
N2 - This chapter examines the development of the National Recording Project for Indigenous Performance in Australia (NRPIPA) in the context of the collaborative relationships that moulded its formation and working practices. We explore how Australian Indigenous modalities of interpersonal and intercultural engage- ment have significantly influenced research approaches among NRPIPA partners, and in doing so have contributed markedly to the ongoing development of an Australian ethnomusicology that embraces a plurality of diverse intellectual traditions and expressive modalities, and seeks to deliver relevant, useful outcomes for the communities with whom we engage in research collaborations. We will show how the pluralistic format of our annual Symposium on Indigenous Music and Dance manifests this overarching ethos, and ask whether this has provided us, perhaps inadvertently, with a generative, consensus-driven model for consti- tuting the NRPIPA that is informed by classical ceremonial mechanisms for expressing Australian Indigenous polities.
AB - This chapter examines the development of the National Recording Project for Indigenous Performance in Australia (NRPIPA) in the context of the collaborative relationships that moulded its formation and working practices. We explore how Australian Indigenous modalities of interpersonal and intercultural engage- ment have significantly influenced research approaches among NRPIPA partners, and in doing so have contributed markedly to the ongoing development of an Australian ethnomusicology that embraces a plurality of diverse intellectual traditions and expressive modalities, and seeks to deliver relevant, useful outcomes for the communities with whom we engage in research collaborations. We will show how the pluralistic format of our annual Symposium on Indigenous Music and Dance manifests this overarching ethos, and ask whether this has provided us, perhaps inadvertently, with a generative, consensus-driven model for consti- tuting the NRPIPA that is informed by classical ceremonial mechanisms for expressing Australian Indigenous polities.
UR - http://ecommerce.lyrebirdpress.unimelb.edu.au/product.asp?pID=165&cID=11&e=1&c=271257
M3 - Chapter
SN - 9780734037770
SP - 115
EP - 128
BT - Collaborative Ethnomusicology
A2 - Barney, Katelyn
PB - Lyrebird Press
CY - Melbourne, Vic
ER -