Engendering Literary History: Jean-Paul Sartre’s What Is Literature?

Immediately after the Second World War, Jean-Paul Sartre offered a history of literature as part of his project to launch a new era of literary activity guided by his concept of littérature engagée or committed literature. This article examines Sartre’s approach to the construction of literary history, highlighting his use of periodisation, a thematics of shifting relationships between writers and readers, and frequent deployment of gendered rhetoric to support his arguments. It shows that Sartre repeatedly used gendered tropes that worked to associate women, females and/or femininity with characteristics generally devalued in European and other Western societies, such as passivity, ignorance and indecision. It is argued that the touchstone to which Sartre continually referred in formulating his literary history was Julien Benda’s La Trahison des Clercs (Treason of the Intellectuals). The argument to be developed takes broad inspiration from the work of Hayden White on the analysis of historical texts, and follows his injunction that historians and readers of history need to become more conscious of how histories are made.