Abstract
This paper describes a video conceived and codirected by a first-time Yolngu video-maker, Bangana Wunungmurra. Made in local languages and in accordance with indigenous protocols and priorities, the video, Gularri: That Brings Unity, works to reproduce the potent, socially constitutive effects of highly restricted revelatory ritual - for an unrestricted television audience. The paper explores how, under Yolngu direction, the video camera becomes a powerful technology for mediating the relationship between the inside and outside of things, the sacred and the public, the invisible and the visible, thereby challenging conventional Western understandings of image-making and spectatorship, representation, and "cultural resistance".
Original language | English |
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Pages (from-to) | 103-121 |
Number of pages | 19 |
Journal | Visual Anthropology |
Volume | 20 |
Issue number | 2-3 |
DOIs | |
Publication status | Published - Mar 2007 |
Externally published | Yes |
Bibliographical note
Copyright:Copyright 2007 Elsevier B.V., All rights reserved.