Abstract
An increase in collaborative projects between artists across cultures is an expression of globalisation and the digital age. While not necessarily using digital means within their artwork, some artists are embracing technology
to facilitate collaborations, conveying new influences and generating artistic conversations between cultural platforms. This paper will examine one such collaboration involving artists from Japan and Australia. While the collaboration was deemed a success, this paper will discuss issues relating to the collaborative
process and conclude with a summary of findings, which wiil highlight important
recommendations for future collaborations.
to facilitate collaborations, conveying new influences and generating artistic conversations between cultural platforms. This paper will examine one such collaboration involving artists from Japan and Australia. While the collaboration was deemed a success, this paper will discuss issues relating to the collaborative
process and conclude with a summary of findings, which wiil highlight important
recommendations for future collaborations.
| Original language | English |
|---|---|
| Title of host publication | Impact |
| Subtitle of host publication | Impact 9 International Printmaking Conference |
| Place of Publication | China |
| Publisher | China Academy of Art Press |
| Pages | 166-172 |
| Number of pages | 7 |
| Volume | 1 |
| ISBN (Print) | 978-7-5503-0957-9 |
| Publication status | Published - 2015 |
| Event | IMPACT 9 International Printmaking Conference - China Academy of Art, Hangzhou, China Duration: 22 Sept 2015 → 26 Sept 2015 |
Conference
| Conference | IMPACT 9 International Printmaking Conference |
|---|---|
| Country/Territory | China |
| City | Hangzhou |
| Period | 22/09/15 → 26/09/15 |