Abstract
Demonstrations in Sydney in September 2012 against the YouTube film Innocence of Muslims turned violent and caused huge community outcry. Many politicians and the mainstream media argued that the actions of the protesters were abhorrent and un-Australian. Some argued it was less about Muslims raising concern about an anti-Islamic film and more about them asserting their claim to what Michael Warner calls the counterpublic - discourses that occur outside of the mainstream media. I analyse the underlining discourses in the letters to the editor and opinion pieces in the print and online media, by using Warner's theory of publicness. The article shows that the dominant public discourse concentrated on characterizing Muslims as extremists and fundamentalists. Counterpublic discourses, however, challenged these dominant constructions, and argued that the tactic of dismissing the rioters is a way of denying political agency and by extension the very presence of a counterpublic.
| Original language | English |
|---|---|
| Pages (from-to) | 57-69 |
| Number of pages | 13 |
| Journal | Continuum - Journal of Media and Cultural Studies |
| Volume | 29 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 2 Jan 2015 |
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You can't have the struggle without the ugly fringe - Publicness in Australian National Imagination : Media representations of the Muslim demonstrations in Sydney in 2012. / Patil-Vishwanath, Tejaswini.
In: Continuum - Journal of Media and Cultural Studies, Vol. 29, No. 1, 02.01.2015, p. 57-69.Research output: Contribution to journal › Article › Research › peer-review
TY - JOUR
T1 - You can't have the struggle without the ugly fringe - Publicness in Australian National Imagination
T2 - Media representations of the Muslim demonstrations in Sydney in 2012
AU - Patil-Vishwanath, Tejaswini
PY - 2015/1/2
Y1 - 2015/1/2
N2 - Demonstrations in Sydney in September 2012 against the YouTube film Innocence of Muslims turned violent and caused huge community outcry. Many politicians and the mainstream media argued that the actions of the protesters were abhorrent and un-Australian. Some argued it was less about Muslims raising concern about an anti-Islamic film and more about them asserting their claim to what Michael Warner calls the counterpublic - discourses that occur outside of the mainstream media. I analyse the underlining discourses in the letters to the editor and opinion pieces in the print and online media, by using Warner's theory of publicness. The article shows that the dominant public discourse concentrated on characterizing Muslims as extremists and fundamentalists. Counterpublic discourses, however, challenged these dominant constructions, and argued that the tactic of dismissing the rioters is a way of denying political agency and by extension the very presence of a counterpublic.
AB - Demonstrations in Sydney in September 2012 against the YouTube film Innocence of Muslims turned violent and caused huge community outcry. Many politicians and the mainstream media argued that the actions of the protesters were abhorrent and un-Australian. Some argued it was less about Muslims raising concern about an anti-Islamic film and more about them asserting their claim to what Michael Warner calls the counterpublic - discourses that occur outside of the mainstream media. I analyse the underlining discourses in the letters to the editor and opinion pieces in the print and online media, by using Warner's theory of publicness. The article shows that the dominant public discourse concentrated on characterizing Muslims as extremists and fundamentalists. Counterpublic discourses, however, challenged these dominant constructions, and argued that the tactic of dismissing the rioters is a way of denying political agency and by extension the very presence of a counterpublic.
UR - http://www.scopus.com/inward/record.url?scp=84922598379&partnerID=8YFLogxK
U2 - 10.1080/10304312.2014.964179
DO - 10.1080/10304312.2014.964179
M3 - Article
VL - 29
SP - 57
EP - 69
JO - Continuum - Journal of Media and Cultural Studies
JF - Continuum - Journal of Media and Cultural Studies
SN - 1030-4312
IS - 1
ER -